Thursday, February 22, 2024

Two Methods To Shoot The Similar Scene: A Comparability of The Store Across the Nook (1940) and You have Bought Mail (1998) Reveals How Filmmaking Modified Over the Many years

Some years in the past, the Guardian’s Anne T. Don­ahue rec­om­mend­ed, as an alter­na­tive Christ­mas film, Nora Ephron’s You’ve Bought Mail from 1998. “Admit­ted­ly, You’ve Bought Mail takes place from Octo­ber to spring,” she writes, “however what mat­ters most is that the film’s most com­pelling scenes — when Joe Fox (Tom Han­ks) dis­cov­ers that Kath­leen Kel­ly (Meg Ryan) is Store­Lady, once they have cof­price, when Kath­leen actual­izes she’s prob­a­bly going to lose her retailer (and once more, no, not cry­ing) — happen over the Finest Time of Yr™.” If none of this rings a bell, jin­gle or oth­er­smart, it’s possible you’ll have to rise up to hurry on the roman­tic come­dies of the 9­teen-nineties. You’d do nicely to start with Ephron’s pre­vi­ous Christ­mas­time-set Han­ks-and-Ryan vehi­cle, Sleep­much less in Seat­tle.

Regardless of being pri­mar­i­ly con­sid­ered a spir­i­tu­al sequel to Sleep­much less in Seat­tle, You’ve Bought Mail can also be an adap­ta­tion of a a lot ear­li­er pic­ture, Ernst Lubitsch’s The Store Across the Cor­ner. Launched in 1940, it stars James Stew­artwork and Mar­garet Sulla­van as co-work­ers in a Budapest leather-based items store whose mutu­al ani­mos­i­ty con­ceals, even to them­selves, the truth that they’ve been amorous­ly cor­re­spond­ing after being con­nect­ed via a per­son­als advert. This premise (which in flip comes from Par­fumerie, a 1937 play by Mik­lós Lás­zló) holds out prac­ti­cal­ly unlim­it­ed mileage to the rom-com style. That two high-pro­file movies have religion­ful­ly adhered to Par­fumerie offers cinephiles an oppor­tu­ni­ty to com­pare and con­trast, mak­ing a examine of how movie itself modified over close to­ly six a long time.

Evan Puschak, guess­ter generally known as the Nerd­author, makes an attempt simply such an exer­cise in the brand new video above, focus­ing on a par­tic­u­lar­ly mem­o­rable scene shared by the 2 motion pictures. “On the day the pen buddies remaining­ly agree to satisfy at a café, the person, who will get there sec­ond, sees via the win­dow that his beloved is actu­al­ly his real-life antag­o­nist, and due to this, does­n’t reveal his true iden­ti­ty. This imbal­ance of knowl­edge makes for a mar­velous scene of dra­mat­ic irony, cre­at­ing a ten­sion that’s without delay heart-wrench­ing and hilar­i­ous.” In The Store Across the Cor­ner, this scene performs out in a lit­tle over eight min­utes; in You’ve Bought Mail, it takes close to­ly ten. However what actual­ly sep­a­charges the types of the ear­li­er pic­ture and the lat­er is “the num­ber of pictures used to cov­er the scene.”

“In 1940, Lubitsch filmed the café scene in simply 9­teen pictures. In com­par­i­son, Nora Ephron, 58 years lat­er, used 133 pictures for a similar mate­r­i­al,” end result­ing in a dif­fer­ence in aver­age shot size of nicely over twen­ty sec­onds. This enhance in minimize­ting might mirror the truth that “ear­ly movie­mak­ing tech­niques have been influ­enced by the con­ven­tions of stage performs, the place many movie­mak­ers” — Lubitsch includ­ed — “started their careers,” the place­as “movies of the eight­ies and nineties have been influ­enced by music movies and com­mer­cials, which elevated view­er tol­er­ance for extra speedy edit­ing,” to say noth­ing of the numerous oth­er wider cul­tur­al dif­fer­ences between the pre­battle years and the top of the mil­len­ni­um. And when, some Christ­mas down the road, this mate­r­i­al subsequent will get adapt­ed, it’s going to pre­sum­ably mirror the aes­thet­ics (so to talk) of Tik­Tok.

Relat­ed con­tent:

A Younger Nora Ephron Will get Ani­mat­ed About Breasts, Fem­i­nism, Jour­nal­ism & New Pos­si­bil­i­ties (1975)

The Alche­my of Movie Edit­ing, Explored in a New Video Essay That Breaks Down Han­nah and Her Sis­ters, The Empire Strikes Again & Oth­er Movies

Stan­ley Kubrick’s Eyes Large Shut, the Most Trou­bling Christ­mas Movie Ever Made

The Impor­tance of Movie Edit­ing Demon­strat­ed by the Dangerous Edit­ing of Main Movies: Bohemi­an Rhap­sody, Sui­cide Squad & Extra

Nora Ephron’s Lists: “What I Will Miss” and “What I Received’t Miss”

Primarily based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His tasks embody the Sub­stack newslet­ter Books on Cities, the e-book The State­much less Metropolis: a Stroll via Twenty first-Cen­tu­ry Los Ange­les and the video collection The Metropolis in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­e-book.


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